Netflix’s Dick Johnson Is Dead seems to perfectly balance absurdly comical moments with its melancholic undertone. After all, this is a film about life, just as much as it is about death.
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Netflix’s Dick Johnson Is Dead seems to perfectly balance absurdly comical moments with its melancholic undertone. After all, this is a film about life, just as much as it is about death.
“First We Eat” is a POV film from the eyes of Suzanne Crocker, a mother of three living in Dawson City, Yukon, inspired to pick up the camera after a road obstruction led to food shortages in the town, exposing the fragility of her family’s food chain. The family of five embark on a challenge to eat only locally sourced food for a whole year.
“Film About A Father Who…” is Sachs’ attempt to understand her wayward and seemingly unknowable father Ira and the complex web of family ties woven by decades of his promiscuity. Filmed over the course of 35 years in a variety of formats, the film charts Ira’s multiple wives, innumerable girlfriends and his ever-growing list of offspring.
There is a wealth of awesome short films to catch at this year’s festival - from a fly-on-the wall experience of a heavy night out in Chengdu China to a critique of the sexualisation of women in surfing and the introduction of an unconventional surfer family in South Africa… Here are our five favourites.
Sila’s blind faith in other people, as demonstrated in the title quote, is a characteristic prevalent in young children. As we find out in ‘Riders of Destiny, when competing in a sport such as horse racing, it’s essential.
46 states abide by a felony murder rule, under which felony murder is generally considered first-degree murder. It means an offender can be imprisoned for a murder that occurred while the crime was being committed, regardless of whether the offender directly caused the death. This was the nightmarish circumstance of the ‘Elkhart Four’.
“Tell Me Who I Am” is as shocking and disturbing as you’ve probably already heard, but don’t let that put you off watching it. Despite it’s stomach-turning revelations, it pries open a taboo subject and is impossible to tear yourself away from. At its heart is an unwavering brotherly bond that, after enduring untold suffering, allows two men to confront their past to tear-jerking effect.
